Tuesday, February 8, 2022

The Four Tears - Fantasy Tale

 


Presentation:

The Four Tears

ON AMAZON

 

Have you ever heard of the mythical medallion of the "Four Tears"? No…? Too bad... because you must know that the phantasmagoric medallion, has extraordinary magical powers; but at the same time... a bit gloomy. That's right... the medallion hides an unfathomable mystery, which only a few know.

 

The owner of the enchanted medallion is Liorz, an authoritative Queen who has a long lion's tail. Are you surprised? You shouldn't... because in the Kingdom of Arkovia, there are so many oddities and singularities. For example… have you ever heard of Mauram, the Princess with golden hair? And Fawnier, the Prince with the body of a deer? No…? You are really naughty! But perhaps you have heard about Amista, a beautiful Princess with crystal hands. Or the King with the bunny ears... Amazed? Wait until you meet the evil Wizard Issurjot, who has always perched on his shoulder, the infamous red owl Siril.

 

Well… aren't you happy yet? And then the dish of whimsy also offers you a huge Dragon, a sparkling Enchantress with emerald eyes, and a myriad of polymorphic animals. And how does it all start? From a kidnapping? But yes!

 

You must know, that the beautiful Princess Pintaqua, was taken away by the Sovereign Horjon. And here is that sister Amista... flanked by brother Fawnier, begin to look for the Princess dragged away by deception!

 

But back to us, are you not satisfied yet? So, here you are sparkling bewitched rivers, that turn into marvelous castles, ancient mummies that emerge from the underground, colored hares that launch themselves from a radiant waterfall, surrounded by lively multicolored butterflies… all seasoned with mystery, action, fantasy, betrayal and an iron rule: …woe to be left without… a pinch of magic!

 

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…Suddenly, the Prince found himself on the other side of the enchanted door, without having been knocked down. In essence, Fawnier had inexplicably managed to get through it.

Fawnier looked at the Nymph, with a somewhat surprised expression. The Nymph was standing near a white marble table, and she widened her eyes in amazement.

The unusual fact was, that the Prince couldn’t take his eyes off the Nymph... having been dazzled by the beauty and grace that she possessed. Indeed, the Nymph was a young damsel, with very long light brown hair, and two doe eyes that observed with joy, her unexpected guest.

After a few moments, the Nymph spoke up… and with a tone of relief, she commented “You have succeeded, sir! You have broken the spell!”-

Prince Fawnier's heart jumped… but then after that principle of irrational fervor, he replied to the Nymph “Please, I ask you to return my sister, a normal girl. You may not know it, but your song... has made her an animal with many forms; just like the numerous creatures, which are found outside the lighthouse”. The Prince's intention was to produce a dark and nervous voice; but instead we don't know how, while he was uttering all those ideas... a melodious voice came out.

"Of course...” the Nymph replied, smiling "In fact, the spell that was placed on me, it forces me to sing several times a day. But just take me out of this lighthouse… and I’ll do what you asked me to do. But tell me...” the Nymph added "Why did you become only partially, animal? Usually all people completely transform themselves into different types of animals... Are you perhaps a sorcerer?” concluded the Nymph, after having scrutinized Fawnier's deer body.

At that last question, the Prince didn’t know whether to tell her the truth or not... In fact, Fawnier didn’t like to talk about his physical condition, of half man and half animal. But for the first time in his life, he felt that the time had come to break through that inner barrier, and to open up to confidences. Fawnier didn't know how… but he felt comfortable with the Nymph. That's right… he couldn't feel for her, anything but affection and tenderness. On the other hand, even if in different ways, they both had a similar problem.

In any case, Fawnier with a drawl voice, replied "No... I'm not a Wizard... I too, like you, am the victim of a spell that was done to my family. What you see in front of you… is my real aspect… that is… the same as always…”-

"Ah... now I comprehend... that's why the spell I'm a victim of, doesn't work with you" the Nymph said a little uncomfortably "Excuse my impertinence, sir...” the Nymph lowered her gaze.

“No… I don't like that you call me that” sped up to say the Prince “My name is Fawnier, Prince of Arkovia; can I know yours?”-

The Nymph, always with her eyes lowered, declared “I am a Nymph, coming from a very distant place. And my name is Nuvjel…”-

Nuvjel… it's a really nice name” said Prince Fawnier, blushing “But tell me one thing, Nymph Nuvjel… it was easy for me to walk through the door. What I wanted to ask…”-

“Nothing to do…” Nuvjel said promptly “I have tried many times to get through the enchanted door; but I have never succeeded... The terrible sorcerer Tojrussi Drago has done a very powerful spell at the door. You’re the only one, who managed to enter...” the Nymph's gaze rested on the silver door.

"I came up with an idea... try to get on my back" urged Fawnier, with a decisive attitude "If it worked for me... it may be okay for you too... Come on, go on".

The Nymph didn’t have it repeated twice; and after she had climbed onto the back of the Prince's deer body, she uttered "Only one thing... please Fawnier let's talk you... if that's okay with you...”-

"Of course...” the Prince replied with a flamboyant smile; after that he leapt in the direction of the enchanted door, and to the Nymph's amazement... they both managed to get through it.

 

Princess Amista's enthusiasm and joy in seeing her brother jump out of the lighthouse, was really great. And the same happiness was perceived by the deer and also by the numerous hawks; who began to circle happily around the lighthouse

 

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The old woman was finishing her speech about the herbalist Remjo's niece, when a strong wind... threw itself on the two women. The old woman tumbled the bread on the ground, and she clung to the Princess's dress, so as not to fall. Mauram released her hands holding the ash-colored scarf, which covered her golden hair; and she hugged at the old woman… as if to protect her from the raging whirlwind.

But those few moments were enough, to ensure that the scarf and the net underneath fluttered away... letting the beautiful golden hair of the Princess, float in the wind.

Now… it seemed that it was Mauram herself, who needed help; in fact, frightened... she was convulsively clutching the old woman. While the wind, as if by magic... instantly vanished; leaving the two women... a little dazed.

To tell the truth, Mauram's hair was truly enchanting; the sun then, gave them flashes and reflections... which made her golden hair even more luminous.

The old woman was amazed to see such great beauty; and while she looked at the Princess with curiosity, she no longer knew what to say.

Mauram whispered a quick "Thank you very much, lady... but now I have to go away...” and so saying, without thinking twice, the Princess walked quickly towards the castle.

But after a few steps, Mauram found herself surrounded by some curious passers-by; who, seeing the golden hair of the Princess, began to bombard her with questions. "But are you perhaps Princess Mauram?" a stocky gentleman, who was carrying old beams, asked interestedly.

"We thought you were sick" a middle-aged woman added in a low voice.

"What beautiful hair... but is it really golden?”- These were the most frequently asked questions.

Mauram answered in monosyllables, with a trembling voice. She didn't know what to do... then she decided to say hello to everyone; but before she could add a single word… a little boy saw a golden hair on the ground, and greedily grabbing it with his hands, yelled “Look! I got a golden hair… Now I'll know what to feed my little brothers!”-

The Princess's heart began to beat loudly, it sounded like a delirious drum. She then gave the boy a lightning glance; and finally she tried to make her way, through the crowd that had come to create. But the crowd grew out of all proportion; and how it all began... we never knew...

 

Multiple hands like hungry octopuses began to tear Mauram's golden hair; first one… then two… and so on. Everyone began to yearn for Mauram's golden hair, and also began to tug at the Princess, with eager and hungry hands for gold. As you can easily imagine… they tore off whole locks of her hair.

The pain was excruciating... Mauram tried with her hands to preserve her hair, from those hands thirsty for riches. But the more she tried to free herself from that grip, the more it seemed they were going to make her truly bald.

Suddenly, another terrible gust of wind put an end to that sad and disconsolate scenario. Mauram took the ball, and crying as well as suffering... ran away from that delirious crowd.

 

Princess Mauram left behind, numerous people dripping with happiness. And indeed, many of them with Mauram's hair in their hands, cheerfully argued over their good fortune. A gentleman who had five golden hairs in his hand, saw the old woman who was previously talking to the Princess, and asked her “Didn't you manage to get even one? She’s really unfortunate!" the man said, while he scrutinized the woman with a falsely compassionate expression.

The old woman, after retrieving her bread from the ground, said “Ugly villain! You’re the unfortunate! Don't you understand that you have hurt a poor girl”-

"But what do you say? What do you want the Princess to care for, for losing a few hairs?” the gentleman answered, indignant "Her hair will grow back... Besides that, she’s a Princess... she’s not poor like us!" and saying this, the man went ostentatiously towards his friends.

The unsatisfied old woman retorted “You’re far worse than poor! Wealth is not acquired by stealing and making others suffer! But one thing is also true... that you are poor... yes... of love!" and uttering these last lashing words, the old woman went away... nervously nibbling a piece of bread.

 

The tears that fell from Princess Mauram's cheeks were quicker than her legs. Mauram ran... ran... she didn't care if sometimes her dress got wildly tangled on some thorny branches... she ran... And so, at a certain point, she reached the only place in the world, where she felt loved: ...in the neighboring wood to the castle.

And as soon as Mauram reached a lonely place, she threw herself on the ground and resumed sobbing.

After a few moments, her candy-colored hares friends, approached her. Which seeing her so afflicted, dimly they crouched beside her, with the intent of comforting her.

But it was all in vain... Mauram continued to shed copious tears. Then some hares, went away... to then return with multiple multicolored butterflies following them. The butterflies were beautiful, and of many shapes, colors and different types. And they began to hover joyfully around Mauram. There were so many butterflies, that their flapping of wings... was even perceptible.

Mauram for a moment... looked up, to scrutinize what that strange buzz was. And to her enormous wonder... she saw thousands of colorful butterflies, which fluttering around her, had sketched in the sky, a beautiful flowery meadow... quilted with multicolored lights.

And then the hares, perceiving that their supposition had achieved the desired effect... they began to dance around the Princess, with extraordinary leaps and jumps. Mauram stopped crying, and observing the beautiful spectacle in amazement, she gave a slight smile. Then, as if taken by an incredible strength and vitality... she got up, and started dancing too.

Mauram's thoughts were studded with arrows of joy... by now she no longer remembered the voracious hands, which lapped her golden hair... She felt only a light breeze invade her mind... a gentle caress, which supported by the ventilation of the butterflies' wings... it almost tickled her soul.

Then the Princess, caught by an unstoppable frenzy... began to run towards the woods; and all the butterflies and the multicolored hares… began to follow her.

The ride was like a raging river, which moved sinuously from tree to tree, from flower to flower... and sometimes her golden hair was carried by the wings of butterflies... which almost seemed to smile at her, with their colors enraptured by the rays of the sun.

The lightning-fast leaps of the numerous hares also seemed to be the reverberation of many pot-bellied crickets, who galloped towards the shape of infinity...

And finally, Mauram threw herself from a plateau towards a small pond below... But the extraordinary thing was that while the Princess tumbled from her Pindaric flight... the butterflies whirled around her, while the candy-colored hares, now enraptured by the ecstasy of the dream... followed Mauram without any fear.

For that brief moment... in full free fall, Mauram had forgotten all her suffering and it seemed to her that she was living in a dream populated by gnomes and goblins. She laughed and cried at the same time. You could see several tears, crashing on the wings of some butterflies... which then, with the reverberation of the wind and the rays of the sun... looked like multicolored stars of a thousand colors...

In the end the Princess settled down in the belly of the lake below. And then... as if awakened from a dream sweetened by flavored vapors, full of lunar beams... she came out of the small lake, accompanied by her friends hares.

Mauram didn't worry too much about being all soaked; and always with a seraphic and smiling air, she thanked the butterflies and the hares.

 

Suddenly, Mauram saw all the butterflies flee away, closely followed by the lively hares. The Princess was dumbfounded, by a great desire to escape. Then behind her… a cold voice, howled "Mauram".

The Princess saw herself dominated by an icy shadow... then slowly, she turned around... and saw her: ...Queen Liorz.

"Mother...” Mauram asserted, surprised by that visit "What are you doing here…? Aren't you sick”-

Liorz approached her daughter with a plush step; similar to the slow pace of a cheetah... as her prey approaches "Of course I feel torment...” she said with a decisive air "But the Wizard Issurjot, warned me that you were in danger; and so I came to help you. Aren't you happy to see me?” concluded the Ruler, in a voice that sounded like a sneer.

As Liorz approached, Mauram felt a bitter sensation in her heart "Yes, mother... I'm glad to see you... You don't know, what happened to me in the city...”-

“I know everything, my little one…” Liorz's tail jumped inadvertently hitting a twig, breaking it “Don't forget that Issurjot is a Wizard; and when I didn't see you coming, I sent him to get the potion of betjrjan flowers. This explains the reason, for my sudden recovery...” then grabbing the wet hand of her daughter, Liorz continued "Now come with me, I have something important to offer you”.

Mauram followed her mother, while an unusual sensation of icy breath... crossed her back…

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…The Ruler, seeing that horrible vision, let out a scream... which echoed all over the place. Issurjot didn't even notice... since both he and the owl Siril, were too excited by what had just happened.

Queen Liorz continued to stare at her daughter, with horror and consternation... And as if by magic, something in the heart of the Ruler... changed her.

Remorse

Affliction

Consciousness

Repentance

...all these emotions, unexpectedly appeared in her soul. Instantly her memory crossed the barriers of time... and she saw the little Mauram held in her arms, when she was still a small infant. The memory of that innocence came alive in her thoughts. And like a lightning that breaks stormy clouds... the Ruler began to contemplate the happy moments... the moments in which her daughter was playing with her porcelain dolls... the times in which Princess Mauram, brought her some field flowers, to cheer her up...

And now… what was she in front of? A deformed being... a soulless being... Vampjria!

 

Afterward, the Ruler gradually approached the Wizard, and she reached out to grab the medallion… but her hand froze. Liorz realized that the Four Tears medallion… didn't care that much anymore; and with an unusual and calm emotion in her heart… she looked away from the magic medallion.

Issurjot was too pleased to notice that now, the expression on the Ruler's face had changed.

“So, my beloved Queen…” asked the Wizard, dry “How does it seem to you, Vampjria? Isn't she great? Exactly as we expected, don't you think?” Issurjot finished, with an arrogant look. The beard seemed to curl on itself from his happiness.

Queen Liorz didn’t answer... and without turning her gaze to her daughter, she went away...

How?

Running!

 

She ran!

Queen Liorz felt frightened... alone... no longer interested in anything or anyone...

She ran!

…she walked quickly, into the castle...

She ran!

...she couldn't stop... up the stairs...

She ran!

Inside huge rooms, where now the numerous memorabilia and furnishings seemed empty to her...

She ran!

...the multiple mirrors hanging on the walls... refracted nothingness.

She ran!

...she was tired now, and out of breath... but she didn't care...

She ran!

...in the end, the Ruler arrived in a very long corridor, very narrow to be honest... and which wasn’t very bright, even though the sun was starting to rise.

On the walls of the very long entrance hall, various tapestries and paintings could be seen, completely wrapped in curtains of multiple colors. The Ruler continued her frantic run along the entire entrance hall; until she reaches a large arched window, closed.

Quickly and with the help of her long tail, the Ruler open wide the window... and a sudden and very strong gust of wind... hit her.

The draught was so strong, that almost all the numerous curtains that covered the paintings on the walls fell on the marble floor.

Queen Liorz wisely breathed that unexpected breeze... she felt the need. Then slowly… she turned around, and she caught a glimpse of the pictures on the walls. After a moment of hesitation, Liorz began to walk without haste; contemplating that unusual place... in fact she didn’t remember it at all.

"Nothing strange" she commented to herself, uneasy “...seen and considered that the castle is huge...” and with that thought, she approached one of the paintings.

 

"Pintaqua!" exclaimed the Ruler, with astonishment “They’re the paintings of Pintaqua… But why are they here? And why, have I never seen them before?” but that intimate question... had no answer.

Liorz, began to get closer to one of her paintings, and saw that the painting depicted Pintaqua kneeling on the ground... with some chains on her mouth; while with her hands she tried desperately to get them off.

The Ruler was stunned... only now she understood the pain and anguish that Pintaqua had to endure every day. That's right... those chains, depicted the pain of Pintaqua, for not being able to articulate any words. Queen Liorz understood her daughter's frustration and suffering, in not being able to express her innermost emotions. The painting let us glimpse all these feelings and sensations, with extreme clarity. Liorz regretted that she had never understood until then… all this.

After taking a last look at the painting; the Ruler intrigued... began to observe all the other paintings. And with growing amazement, she scrutinized the numerous depictions that Pintaqua had made, about all the members of the Royal family.

In one fresco, Fawnier's sorrow and loneliness was represented; who was portrayed inside a desert full of sandy dunes... where the Prince scanned the horizon with a sad face, flanked only by a deer and a hawk.

Queen Liorz understood that her son, although he had loving friends like deer and hawks, deep inside… he suffered from loneliness. In fact, Liorz understood that the desert represented precisely the sense of inner solitude, of her son. Basically, the diversity and strangeness of Fawnier's body, was an impediment to him… in relating to others. The Ruler was perplexed by all this; in fact she had always believed that her son had overcome his singular physical condition. Liorz had never noticed his sad and disconsolate expression. After all, Liorz had always perceived Fawnier, lively and ready to argue and transgress rules and precepts. But apparently, it was just a way like any other… to get over an interior frustration.

With these thoughts and reflections in her heart, the Ruler moved on to the next painting. Thus she found herself scrutinizing her husband's; who was seated at the foot of a throne, holding a broken scepter. The expression of King Conrab, who was observing the scepter, was one of discomfort. And that wasn’t all... since behind King Conrab; a lion's paw could be detected... which it was looking for in the shadows, to grab him.

The Queen was a little shocked by that painting, but she didn’t know why. Her tail was now semi-motionless, alternating with sudden jolts.

Liorz more and more interested continued... and saw the painting that depicted Mauram. The Princess was happily sitting on a rock, surrounded by her beloved colored hares. Besides the rest, Mauram was portrayed as she brushed her beautiful golden hair; but the thing that made the Ruler jump for a moment, was in seeing above her daughter's head... a huge black cage... that was about to fall on her.

Queen Liorz for a moment shivered… all this, it was frightening… but at the same time, she was aware that it was all true. In essence, the paintings depicted the deepest emotions, anxieties and feelings… of all of her family members.

However Liorz, albeit with an inner malaise that was increasing... continued to look curiously at the paintings; and she saw the one that portrayed Amista.

The young Princess was drawn with completely shattered crystal hands, while her gaze with greed... stared at a point on the horizon... where you could see two huge hands, instead of the sun. But the thing that shocked Queen Liorz not a little, was that a lion's tail came out of the ground, holding Amista's right leg still… not allowing her to reach the enormous hands.

The Ruler wasn’t silly, and she immediately thought “Lion's tail… that painting reproduces just me! So, is this how my children see me? As a mother… despot and tyrant…? Just me who did everything for them… I, who have scarified me for them, me who... but no... Maybe... no... I can't believe it...” the thoughts of the Ruler, were chaotic... and they alternated one after the other, quickly. At times she seemed to have always acted for the sake of her children... while at times, she thought the exact opposite.

But it was her last painting that made her understand... what the truth was.

Strangely, the last painting was still cover with an ivory silk curtain. Liorz with her lion's tail, slowly and with a little hesitation, took it off. She teased by her interest, she looked at it... and she saw that the portrait depicted herself... a huge lioness, holding a rabbit in her mouth, while surmounting a throne made of black marble. But that wasn’t all... the lioness had the pendant of the Four Tears around her neck... and at the foot of the throne, you could see on the ground... four white doves... bleeding.

"NO!" Liorz yelled with force and aggression. Then, aided by her long tail, she grabbed the picture, and broke it into a thousand pieces with anger and indignation.

Then… when she had vented her anger, the Ruler knelt nearby the crumbled fragments of the painting; and she thought to herself “No… that's not true. I... I can't be like that. I… I… Pintaqua… my daughter… you… you are… absolutely right” and while Liorz delicately… picked up the pieces of the crumbled picture… copious tears streamed down her face…

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…A few moments passed. And before the knights with the burning saber, could pass through the huge iron and gold door of the castle... here, unexpectedly, everyone heard a shout behind them. The knights turned, with an attitude of curiosity... and finally... they saw her.

It was Amista.

 

The Princess rode with a majestic and imposing appearance, the white deer Coryador. The Sungreen Magic Armor gave her such vigor and strength as to leave all the numerous knights stunned with amazement. Without saying a word, they were fascinated to stare at her... while Amista headed quickly, right towards them.

But that wasn’t all... coming from the nearby lake, suddenly thousands of mighty warriors appeared, made up of lake water. They were more than two meters tall, and despite having no weapons, they instilled terror and fear. They seemed to be made of crystal and diamonds, unified together. And the reflections of the sun, on their liquid bodies... refracted like arrows of light.

 

“What did I tell you, my glorious Ruler? The witch is here! The sorceress has arrived! And she has at her side... a magical army! For us, it's over!" bellowed with apprehension and terror, the squire Rjonov... as he watched Amista and her army of Water Warriors.

"Be quiet, flickering maggot!" Horjon replied vehemently; approaching at the walls of the High Tower of the castle, to better observe. The yell of the strong wind... it sounded like the howl of a hungry wolf...

The Sovereign, peering at Amista's Enchanted Warriors, uttered “What are you afraid of, Rjonov? Can't you see that those silly beings who look like warriors... are made from simple lake water? We’ll destroy them all!" a mocking smile pierced his face, as his dark blue cloak swung boldly behind him.

Rjonov said nothing. He didn’t want to suffer another reproach... but his eyes seemed terrified and full of anxiety.

Suddenly, the Sovereign's expression changed, and carefully staring at the Princess's magical armor... he seemed to understand what had happened. Like a flash that crossed his mind, he understood... and said... "That armor... it can't be. But it looks like, the very powerful magic armor Sungreen…” and as he said these words, a slight shudder… ran down his back.

Upon hearing those words, both the squire and the Commander, approached at the Sovereign. Then the Commander, betraying a slight tension in his voice, asked “Sungreen? My Sovereign... maybe you know that armor”-

"Sure, I know it!" Horjon answered with a firm voice, scrutinizing the warriors with the fire saber, who were returning to the attack against Amista "Have you forgotten the great legends and epics, of our past? Many of them, tell of the mighty and strength of Sungreen armor”.

But those words had no effect on the two listeners. Finally, the squire Rjonov, hastened to say "My glorious sovereign... what you want to say, is that that armor... has magical powers?”-

Horjon gave a short sigh “Of course. In any case, we must not retreat because of this new affront!" Horjon answered a little annoyed; and then addressing the Commander, with a voice of authority, he imposed “Commander, immediately order all the militias to defeat that lady and her insipid army. And do it quickly!”-

"Consider it already done, my Sovereign” declared the Commander, in a solid voice.

 

The knights with the fire sabers, meanwhile, were charging without delay, against Princess Amista and the Water Warriors.

The knights of the Sovereign, appeared imposing in their black armor, and were also lively in knowing that soon, they would subdue that silly damsel, and her semi-transparent Warriors.

Amista, riding imposingly on Coryador, stopped a few moments later… waiting for the armies of the Sovereign. For a moment, the quick thought flashed through her, that perhaps all this wasn’t made for her... The thought of sweet green fields full of flowers and fragrant gems, appeared before her... And also, a desire for peace and serenity, it invaded her heart.

But promptly, the Princess awoke from these unexpected reveries, and she thought to herself… “No. Not now Amista... it’s not time to escape, into the depths of utopia... I must remember... that there can be no peace, where injustice dwells! It's time to fight! It’s time to eradicate evil! It's time to win!”-

 

The conflict began.

 

Amista gave a command to Coryador and the Enchanted Warriors, to assault the knights of the Sovereign. At that moment, the knights with vigor struck Amista with their fire sabers... but to their bewilderment, they clearly saw that Halykjur's magical flame was absorbed as if by magic...

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 …“Come on, Siril Dragon! Throw our tumultuous and pathetic enemies, into the eternal fire of the horror!" Issurjot shouted loudly, instigating the huge Red Dragon "May neither of the two pathetic royal descendants, remain alive!" Issurjot's mournful laugh seemed more insane than usual; his beard was white with black streaks.

The Dragon Siril with portentous blows of her wings rapidly set off in the direction of our heroes.

"Quickly, Nuvjel...” Fawnier said worriedly "Stay close to the Enchanted Warriors... they’ll protect you...”-

"Fawnier, try to be careful!" the Nymph answered in a low voice; while huge Water Warriors approached her, with the intent of protecting her from the Dragon Siril.

Meanwhile with a quick gesture, the Red Dragon tried to grab the Prince with her long claws; who fortunately jumped just in time, in the opposite direction. The Dragon Siril then passed to the Nymph, who was now paralyzed in front of that huge beast.

The Red Dragon recognizing her old prey… made a sort of mournful grin; and then with her very long claws... tried to grab her. The Enchanted Warriors struck with their liquid hands the Dragon Siril... but unfortunately, you could see how the mighty scales that covered Siril's body didn’t allow at the Enchanted Warriors, to hurt the Dragon.

Amista intervened instantly, unleashing with her sword of light, one blow and then another, to the claws of the Dragon... managing to prevent her from grabbing Nuvjel. But unfortunately, she didn’t manage to prevent a huge claw of the Red Dragon from hurting the Nymph's right shoulder.

"Nuvjel…!" Fawnier shouted excitedly, seeing that horrible beast hit his beloved.

The sudden treatment of Princess Amista didn’t have the desired result. In fact, the drops of water that fell from her crystal hands had only stopped the leakage of her blood... but without being able to completely heal the Nymph's wound. They all understood that the Dragon's wounds, healed more slowly than the others.

Fawnier after taking a last look at his beloved's wound, with forced calm, said “Don't panic Nuvjel… it's not a deep wound. Now I'll take you to the Sovereign's druid…” the Prince concluded in a low voice; placing the Nymph on the back of a huge deer.

"Damn beast!" inveigh Amista, casting a grim look at the Red Dragon, while the fairy moths covered the Princess with the fairy armor "If as an owl, you have always been painful and repulsive... as a Dragon you’re even worse! Come on ahead! I'm not afraid of you!" her face radiated courage and strength.

 

The Dragon Siril, after a brief fly to regain speed, rushed violently on Amista; but being careful to avoid the Sunlivre fairy sword... because every time she was hit, she felt a very sharp internal spasm.

But whenever the Red Dragon tried to stab Amista, the Princess seemed to avoid all of her blows, very quickly. In fact, the magical armor, instinctively suggested to Amista how and when to move. However a couple of times, the Red Dragon hit her; but her Sungreen fairy armor… seemed to withstand any assault.

Suddenly, Amista glimpsed the Sovereign Horjon arriving on horseback, surrounded by some Enchanted Warriors and several of his soldiers on horseback, who while landing some of the Queen's fighters, approached Amista.

The Sovereign, also brandishing a saber studded with blue diamonds, seemed worried "Princess Amista... you can't do it alone... I'll come to your rescue!" Horjon attested, with impetus.

"Go away, Sovereign Horjon" replied the Princess, in a dry voice "Don't you see, that thanks to my magical armor, the Dragon Siril cannot hurt me?”…


Thursday, February 3, 2022

Spiderman 3 - Psychology Version.

 


Spiderman 3

Psychology Version. Second part.

 

Psychology - Spiritual HOME


On the analytical side, this first event of the Spiderman 3 movie, reminds us that even if it seems that everything in our life flows smoothly as oil, we can inadvertently create negative feelings (alien symbiote) that come from personal frustrations and sufferings; which inadvertently affect our psyche and our real identity. For example, some traumatic events experienced in childhood may have been removed with the intention of avoiding suffering to the own ego; later, growing up we find ourselves with problems of anxiety, alcoholism, drugs, anorexia, panic attacks and bulimia. The person remains astonished and amazed, in understanding why these psychic anomalies have evolved. We can find the answer by going back in time, and bringing back to our conscience the moments where we have been despised, humiliated, not listened to or criticized for no reason. In short, it’s necessary to bring back the old wounds left in latent memory, and try to recover the feelings connected to these wounds. All this in the feature film is perceived by Peter and Mary Jane who see some shooting stars, without realizing that those stars are parts of their real personality; which falls and sinks into the unconscious. All this happens when the true personality is not supported and strengthened in one’s family habitat by welcoming and loving behaviors. And the alien symbiote that sneaks up on Peter's scooter, portrays the very initial birth of a "False Self", which draws its origin from the sufferings and affective deprivations experienced at an early age.

 


From a psychological point of view, Flint (Sandman) represents the shadow of the person; that side full of anger, frustrations and insecurities suffered in the past, which remain relegated in the unconscious. That side which, precisely because it remains like a "thief" hidden in its depths, makes it difficult to heal it. For example, these traumas may have occurred in early childhood, when one person didn’t yet possess the psychic and cognitive abilities to face certain frustrations or injustices, with strength and balance. In other words, often the memories of the traumas experienced in childhood cannot be held back by a conscious ego, because they’re too painful or because they are not understood there in their entirety and fullness. Here then the "defense mechanisms" intervene, such as for example the Removal or the Denial; all to avoid anguish that is too tearing to the psychic apparatus of the own ego.

Of course, these unresolved traumatic events don’t disappear over time... but on the contrary, they expand and also connect and unite with other painful repressed events. Here the "True Self" of the individual begins to get sick, just like Sandman-Flint's daughter. And at the same time the daughter who gives her father the necklace with the image of her, symbolizes the "True Self" which continually reminds himself not to lose hope that one day things will get better. When? In the precise moment in which the adequate strengths and knowledge will be found, to overcome the sufferings and traumas experienced in childhood.

 


Aunt May is the figurative image of a loving and understanding parent, who helps the descendant to develop his individuality, portrayed in the film by the ring that Aunt May gives to Peter. In fact, Aunt May's empathic behavior is the same attitude that all parents should have. Attitude that consists in helping our own children to try to develop not only knowledge regarding school studies or personal conduct, but it’s essential to teach children that it’s also very relevant to develop and have a good relationship with our own inner essence, with our own resources and feelings; in short... with our own deepest psyche, symbolized in the movie by Mary Jane. If all this is not done, we will have children full and overflowing with school notions... but lacking in real emotions and authentic feelings, and who will also be split (Sandman, who is fragmented into multiple grains of sand), and they will not know to listen to the deepest words and expressions of themselves. Here people who seem emotionless and not availability towards others, first of all do not know how to dialogue and communicate with themselves. That is, they have not listened to their "True Self", and their legitimate needs for understanding, affection, love and listening.

 

Flint who becomes the Sandman, is the person who, having neglected to listen to the truest and deepest part of himself (his "True Self" portrayed in the film by his sick daughter), finds himself split and "unglued" from himself. From this sad and disheartening event, a second fictitious personality sprouts and is full of analysis reasoning, disconnected from its most intimate reality. Indeed, a "False Self" (Sandman) increases and raises.

 

Mary Jane, who struggles to open the door of Peter's apartment, also describes the individual who cannot make himself comprehend and understand by others, because he is all focused on himself and on his own psychological and existential problems (Peter who thinks about death of Uncle Ben). How many times has it happened to express feelings and emotions to people dear to us, and sadly realize that we are not understood? Peter is the person who is psychologically closed in on himself, tormented by his own unsolved psychic and existential problems. And how can we open the "door" of our heart to our neighbor, if the same "door" remains closed to ourselves as well? In fact, often people who have suffered affective deprivation have not been able to develop that empathic relationship towards others, which is essential in an emotional relationship. Let's try to imagine a child who has not been loved; growing up how he will be able to give to others what he has never received? To regain possession of the empathic feeling towards others, it’s necessary to work on oneself and heal the wounds of our own heart.

 


Mary Jane who finds herself stunned in front of the horrible reviews of her play, portrays the individual who, faced with the criticisms and obstacles of life, feels confused, lost, alone, distressed. Feelings that if we analyze them, derive from a reflux coming from one's past. Not surprisingly, when Mary Jane asserts that the horrible reviews of her show, seems to have written by her father... she notes that whenever we relate to others, the ancient ghosts of the past that have not been resolved, come to the surface. In other words, there is a long-term memory located in our unconscious, which have recorded and cataloged from an early age, all the speeches, reasoning, experiences and teachings spoken by our family. These speeches, feelings, experiences and learnings remain in our memory for a lifetime, and also become a sort of support point, imprinting or psychic foundation, from which all the construction of one's future personality starts. From what has just been expressed, it can be considered that if the words and advice of our parents were constructive and full of confidence in our faculties, the formation of one's personality becomes more and more secure, balanced and organic. On the contrary, if the parents have continually criticized, given little trust and respect, the descendant risks becoming insecure, fragile, anxious and disheartened. The result is that whenever someone gives us an opinion contrary to ours, we will perceive as a reverberation of the words full of hatred and debasement, of our introjected parents. And the emotions of helplessness and anger experienced in childhood, risk recurring in the present. Indeed, there is a sort of radar or perceptual filter in our depths, which makes us observe the world and external reality in a subjective way… and non in an objective way.

 


Eddie Brock (Venom) is a "False Self", who tries in every way to oust the "True Self", under the lash and solicitation of reasoning and thoughts introjected in childhood, by his own parental figures (Jameson). In short, as we have previously expressed, usually a "False Self" or rather a fictitious and not real personality, arises when the true personality of the descendant has not been accepted or appreciated by its educators. Growing up, the child risks becoming a person who follows the teachings of his family, without however that touch of truthfulness that comes from his real identity; but only by following orders… just like a soldier does in front of his commander (Harry blindly following Goblin-Norman Osborn's directions).

 

In addition to the rest, Peter who kisses Gwen is the person who, while giving a strong and reassuring image of him, in reality he is not at all deep inside. Sometimes it can happen that betrayals and escapades have as their root a feeling of inferiority and inadequacy. And in the physical relationship with another partner (Gwen), one tries to fill this unconscious feeling of emptiness or inner fragility. We basically tend to like others, because we don't like ourselves or accept ourselves for who we really are. At this point, promiscuous sexual intercourse becomes a sort of "mental pill" to fill an inner void; but in reality it’s only a palliative, since the problem is not solved in its foundations; while Peter who doesn’t understand his fiancé (Mary Jane), is the person who being too focused on himself, is unable to perceive the needs of the other. We always think that our partner is a drug to heal our wounds, but by doing so we put ourselves in a position to demand and claim... without ever giving anything. In a serene and balanced emotional relationship, both boyfriends and spouses need to put themselves in a position to give the other... love, understanding, listening, respect. If these fundamental characteristics are missing, it’s clear that over time, difficulties and fractures will arise within the couple.

 


Peter, who despite needing it refuses Mary Jane's help, is the individual who believes he can take care of himself and who also doesn’t recognize his own unconscious wounds. When a child by his family has never been listened to, loved or understood in his emotional needs, as he grows up he will have developed a sort of mental barrier against those who try to help him solve his own internal wounds and psychological problems. This is because the person has learned from an early age, not to hope and not to trust others; but exclusively to support himself on his own strength.

Basically, we think we are not worthy enough to receive help and support from others, or we perceive a strange feeling of fragility that causes discomfort, and makes ourselves feel still frail and debilitated as in childhood. Feelings that are experienced as negative, because in the past we were despised by parental figures. For example, some educators when they see the son crying… usually suggest that he behave as a "reasonable being", and that men do not cry and so on. As the young person grows up, he will perceive and feel his own inner feelings, as an expression of personal weakness and powerlessness, which risk leading him to shut himself up in a mental silence.

 

Peter, who is filled with anger and is enveloped by the alien symbiote, is an allegory of the person who, not having solved his own psychological and existential problems, lets himself be led by repressed resentment, becoming an aggressive and asocial person (Venom). Ultimately, the hatred felt for those who made the individual suffer in childhood, is projected onto other people.

 


Harry talking to his father that glimpses reflected in a mirror… is the person who has failed to emotionally separate from his introjected despotic parent (Goblin-Norman Osborn); who, just as if he was alive and present, declares to him to carry out and act in a totalitarian and selfish way. In this situation, the individual loses the ability to act and think with his own head, and unconsciously follows the selfish and authoritarian directives, suggested by the introjected parent in childhood (Harry who becomes the Goblin, exactly as his father did).

Another sad consequence of blindly following the introjected directives of a tyrannical and demeaning parent (Goblin-Norman Osborn) is that the person (Harry) loses his "True Self" ...the ability to exist, think and act with his own subjectivity. The person is as though split and non-cohesive, and becomes a laughing stock of ideas and preconceptions memorized and introjected in the past, without any subjective critical discernment.

 

The alien symbiote Venom that amplifies the aggression of its host is a metaphor that suggests that the "False Self" is a psychic construct, in which a considerable element of aggression cannot be missing inside. This is because the "False Self" was formed following logic extraneous to one's real identity, and therefore remains, at an unconscious level some resentment towards those who have not been able or wanted to accept the true identity of the individual. It’s at this point that the anger towards those who forced the person to develop a "False Self", is thrown and projected towards other reference figures... who become substitutes for the real persecutors in the past (Harry who persecutes Spiderman, instead of taking it with Goblin-Norman Osborn).

 


Peter who claims not to know who he is, portrays the person who having created a "False Self" against his "True Self", feels split and not cohesive, and struggles not to hurt those he really loves (Mary Jane). In fact, we must consider a person who, in order to please his parents, was forced in childhood to create a fictitious personality... growing up he risks increasing his own insecurity, fears, anxieties and uncertainties. And to all this is added a massive dose of hostility towards oneself, in order not to rise to the occasion. That's right, the aggression is not only directed towards one's oppressors, but also towards oneself for not being able to change one's real inner identity, portrayed in the film by Mary Jane. Ultimately, Peter striking Mary Jane under Gwen's perplexed eyes, is an ego that proposes a different pattern from what he wants to be (Gwen) to his real identity (Mary Jane); but obviously on an unconscious level, the real identity cannot change, and here an anger and aggression directed towards oneself develops and matures.

 

Peter who takes off his alien symbiote costume, is the person who finally understands that anger and hatred towards others are sometimes essences that come from unsolved psychological problems, and for this reason he manages to get rid of them. On the contrary, Eddie Brock symbolizes the individual who cannot forgive those who have made him suffer, and filled with anger and resentment he projects these negative emotions towards those who have hurt him at present (Peter).

In fact, let's not forget that if we don’t forgive and overcome the unconscious wounds caused by our family members, over time we will transfer and project this anger and resentment towards other people. Here is the reason why some individuals, to a small wrong, react disproportionately to the offense done, precisely because the current anger is joined by the anger and resentment suffered from the past. In fact, in our unconscious there is a sort of "warehouse" of emotions. And the painful memories filled with repressed resentment, if they are not resolved or overcome through forgiveness, remain in the "warehouse" of the unconscious, until an analogous or similar feeling brings them to the surface.

 


Aunt May suggesting to Peter to forgive himself, reminds us of the best way to be able to detach from one's "False Self". In fact, the person with a fictitious identity, in addition to passing an internal examination on his traumatic experiences, must also forgive himself for having wanted at all costs to transform his real identity (Mary Jane), replacing it with a false and artificial one (Gwen). In other words, anger towards one's "True Self" must give way to unconditional love, aimed at one's real individuality.

 

Harry, who joins Spiderman to defeat Venom and the Sandman, is the person who finally makes peace with the introjected parental figures, and begins to aggregate with his ego in defeating the "False Self" (Venom). In a nutshell, in order to truly be able to rediscover one's real identity, it’s necessary to return to the memories of one's childhood, and to recover memory of the traumas, frustrations and experiences full of anger lived in the family. Then, with the help of loving and empathic people (Aunt May) and with the support of our own internal resources, the person will be able to defeat and remove everything that is opposed to one's real individuality. At this point he will be able to live peacefully with his "True Self", symbolized in the feature film by Mary Jane.

 

Peter dancing with Mary Jane is an ego that has found the joy of living with its real identity. The person who knows how to coexist with the deepest side of himself, understanding that not his whole personality is perfect and coherent. An ego pacified by its past, full of suffering and deprivation. A deeply wounded ego, which nevertheless does not allow itself to be dragged into the abyss of nothingness; an ego that knows how to grasp and progress its own unconscious wounds, making them become internal resources full of strength and love. An ego that, thanks to the sufferings suffered, knows how to understand others better. An ego that faces the battles of its daily life, knowing that in its deepest depths, there is a multitude of very precious experiences that can help it to overcome the difficulties of everyday life with greater ease. All this can be glimpsed from Spiderman, who continues his exhausting battle against his many adversaries (who depict anger, anxieties and psychic problems).

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Spiderman 3

Versante Psicologico. Seconda Parte.

 

Nel versante analitico, questo primo evento del film Spiderman 3, ci ricorda che anche se sembra che tutto nella nostra vita scorre liscio come l’olio, si possono inavvertitamente creare dei sentimenti negativi (simbionte alieno) che provengono da frustrazioni e patimenti personali; i quali inavvertitamente intaccano la nostra psiche e la nostra reale identità. Ad esempio, alcuni eventi traumatici vissuti nella fanciullezza, possono essere stati rimossi con l’intento di evitare sofferenze al proprio Io. In seguito, crescendo ci si ritrova con problemi d’ansia, alcolismo, droga, anoressia, attacchi di panico e bulimia. La persona rimane attonita e strabiliata, nel comprendere come mai si sono evolute queste anomalie psichiche. La risposta la possiamo ritrovare andando a ritroso nel tempo, e riportando alla nostra coscienza i momenti dove siamo stati disprezzati, umiliati, non ascoltati o criticati senza motivo. In poche parole, necessita riportare a galla le vecchie ferite rimaste nella memoria latente, e cercare di recuperare i sentimenti connessi a queste ferite. Tutto ciò nel lungometraggio, lo si percepisce da Peter e Mary Jane che scorgono delle stelle cadenti, senza rendersi conto che quelle stelle sono parti della propria reale personalità; la quale precipita e s’inabissa nell’inconscio. Tutto ciò avviene quando la vera personalità, non è sostenuta e avvalorata nel proprio habitat familiare da comportamenti accoglienti e amorevoli. E il simbionte alieno che si accolla di nascosto sul motorino di Peter, effigia proprio la nascita iniziale di un “Falso Sé”, che trae la sua origine proprio dai patimenti e dalle deprivazioni affettive vissute nella tenera età.

 


Sotto il profilo psicologico Flint (Uomo Sabbia), rappresenta l’ombra della persona; quel versante colmo di rabbia, frustrazioni, insicurezze e sofferenze sperimentate nel passato, che rimangono relegate nell’inconscio. Quel versante che proprio perché rimane come un “ladro” nascosto nel proprio profondo, si fa poi fatica a sanarlo. Questi traumi possono ad esempio essere avvenuti nella prima infanzia, quando ancora non si possedevano le capacità psichiche e cognitive per affrontare con forza ed equilibrio, determinate frustrazioni o ingiustizie. In altre parole, sovente i ricordi dei traumi vissuti nella fanciullezza non riescono a essere trattenuti da un Io cosciente, perché troppo dolorosi o poiché non lì si comprende nella loro interezza e pienezza. Ecco che allora intervengono i “meccanismi di difesa”, come ad esempio la Rimozione o la Negazione; il tutto per evitare angosce troppo dilanianti all’apparato psichico del proprio Io.

Naturalmente questi eventi traumatici non risolti, con il passare del tempo non scompaiono… ma all’opposto si ampliano e altresì si collegano e uniscono ad altri eventi dolorosi repressi. Ecco che il “Vero Sé” dell’individuo comincia ad ammalarsi, proprio come la figlia di Flint (Uomo Sabbia). E al contempo la figlia che dona al padre la collanina con la sua immagine, simboleggia il “Vero Sé” che continuamente ricorda al proprio Io, di non perdere la speranza che un giorno le cose miglioreranno. Quando? Nel preciso momento in cui si saranno trovate le forze e conoscenze adeguate, per superare i patimenti e traumi sperimentati nella fanciullezza.

 


Zia May è l’immagine figurata di un genitore amorevole e comprensivo, che aiuta il discendente a sviluppare la propria individualità, effigiata nel film dall’anello che zia May dona a Peter. Difatti il comportamento empatico di zia May, è il medesimo atteggiamento che dovrebbero avere tutti i genitori. Atteggiamento che consiste nell’aiutare i propri figli a cercare di sviluppare non solo le conoscenze riguardanti gli studi scolastici o le condotte personali, ma è fondamentale insegnare ai figli che è molto rilevante anche sviluppare e avere un buon rapporto con la propria essenza interiore, con le proprie risorse e sentimenti; insomma… con la propria psiche più profonda, simboleggiata nel lungometraggio da Mary Jane. Se tutto ciò non sarà compiuto, si avranno dei figli colmi e traboccanti di nozioni scolastiche… ma privi di emozioni reali e sentimenti autentici, e che altresì saranno scissi (Uomo Sabbia, il quale è frammentato in molteplici granelli di sabbia), e non sapranno dare ascolto alle parole ed espressioni più profonde di loro stessi. Ecco che le persone che sembrano prive di emozioni e disponibilità verso il prossimo, prima di tutto non sanno dialogare e comunicare con se stessi. Ovvero, non hanno dato ascolto al loro “Vero Sé”, e alle loro legittime esigenze di comprensione, affetto, amore e ascolto.

 

Flint che diventa l’Uomo Sabbia, è la persona che avendo trascurato di ascoltare la parte più vera e profonda di se stessa (il proprio “Vero Sé” effigiato nel film dalla figlia ammalata), si ritrova scissa e “scollata” da se stessa. Ecco che da questo triste e sconsolante evento, germoglia e si forma una seconda personalità fittizia e colma di ragionamenti raziocinanti, scollegati dalla propria realtà più intima. Invero, si eleva e innalza un “Falso Sé” (Uomo Sabbia).

 

Mary Jane che fa fatica ad aprire la porta dell’appartamento di Peter, descrive altresì l’individuo che non riesce a farsi capire e comprendere dal prossimo, perché è tutto concentrato su se stesso e sulle proprie problematiche psicologiche ed esistenziali (Peter che pensa alla morte dello zio Ben). Quante volte è capitato di esprimere dei sentimenti ed emozioni a persone a noi care, e scorgere tristemente che non siamo capiti? Peter è la persona che è psicologicamente chiusa in se stessa, arrovellata dai propri problemi psichici ed esistenziali non risolti. E come possiamo aprire la “porta” del nostro cuore al prossimo, se la medesima “porta” rimane chiusa anche a noi stessi? Difatti, sovente le persone che hanno subìto privazioni affettive, non sono riuscite a sviluppare quel rapporto empatico verso il prossimo, che è essenziale in una relazione affettiva. Proviamo a immaginare un bambino che non è stato amato; crescendo come potrà donare agli altri, ciò che non ha mai ricevuto? Per riappropriarsi del sentimento empatico rivolto verso il prossimo, occorre lavorare su se stessi e rimarginare le ferite del proprio cuore.

 


Mary Jane che si trova come stordita di fronte alle orribili recensioni del suo spettacolo teatrale, effigia l’individuo che di fronte alle critiche e agli ostacoli della vita, si sente come confuso, perso, solo, angosciato, smarrito. Sentimenti che se li analizziamo, derivano da un riflusso proveniente dal proprio passato. Non a caso, quando Mary Jane asserisce che le orribili recensioni del suo spettacolo, le pare le abbia scritte suo padre… ci rileva che ogniqualvolta ci rapportiamo con il prossimo, gli antichi fantasmi del passato non risolti, vengono a galla. In altre parole, esiste una memoria a lungo termine situata nel nostro inconscio, la quale ha registrato e catalogato sin dalla tenera età, tutti i discorsi, ragionamenti, esperienze e insegnamenti pronunciati dai nostri familiari. Questi discorsi, esperienze e apprendimenti, rimangono nella nostra memoria per tutta la vita, e altresì divengono una sorta di punto d’appoggio, imprinting o fondamento psichico, dal quale diparte tutta la costruzione della propria futura personalità. Da quanto appena espresso, si può considerare che se le parole e consigli dei nostri genitori erano costruttivi e colmi di fiducia nelle nostre facoltà, ecco che la formazione della propria personalità diviene sempre più sicura, bilanciata e organica. Al contrario, se i nostri genitori ci hanno continuamente criticato, ci hanno dato poca fiducia e rispetto, ecco che il discendente rischia di divenire insicuro, fragile, ansioso e sfiduciato. Il risultato è che ogniqualvolta qualcuno ci darà un parere contrario al nostro, percepiremo come un riverbero delle parole colme di astio e svilimento, dei nostri genitori introiettati. E le emozioni d’impotenza e rabbia sperimentate nell’infanzia, rischiano di ripresentarsi nel presente. Invero, esiste nel nostro intimo una sorta di radar o filtro percettivo, che ci fa osservare il mondo e la realtà esterna, in maniera soggettiva e non oggettiva.

 

Eddie Brock (Venom) è un “Falso Sé”, il quale cerca in tutti i modi di spodestare il “Vero Sé”, sotto la sferza e sollecitazione di ragionamenti e pensieri introiettati nell’infanzia, dalle proprie figure genitoriali (Jameson). In breve, come abbiamo espresso in precedenza, solitamente un “Falso Sé” o meglio una personalità fittizia e non reale, nasce quando la vera personalità del discendente, non è stata accolta o apprezzata dai propri educatori. Crescendo il figlio rischia di divenire una persona che segue e tallona gli insegnamenti dei propri familiari, senza però quel tocco di veridicità che proviene dalla propria reale identità; ma solo eseguendo degli ordini… proprio come fa un militare di fronte al proprio comandante (Harry che segue ciecamente le indicazioni di Goblin-Norman Osborn).

 

Oltre al resto, Peter che bacia Gwen è la persona che pur dando di se stessa un’immagine forte e rassicurante, in realtà nel proprio intimo non lo è per niente. A volte può capitare che i tradimenti e le scappatelle, hanno come radice proprio un sentimento d’inferiorità e d’inadeguatezza. E nel rapporto fisico con un altro partner (Gwen), si cerca di riempire questa sensazione inconscia di vuoto o fragilità interiore. Si tende fondamentalmente di piacere agli altri, poiché non ci si piace o accetta per quello che si è. A questo punto il rapporto sessuale promiscuo, diviene una sorta di “pillola mentale” per riempire un vuoto interiore; ma in realtà è solo un palliativo, poiché il problema non è risolto nelle sue fondamenta. Mentre Peter che non comprende Mary Jane, è la persona che essendo troppo concentrata su se stessa, non riesce a percepire i bisogni dell’altro. Si pensa sempre che il proprio partner sia un farmaco per curare le proprie ferite, ma così facendo ci si mette nella posizione di esigere, reclamare e pretendere… senza mai concedere nulla. In un rapporto affettivo sereno ed equilibrato, occorre che entrambi i fidanzati o coniugi si mettano nella posizione di donare all’altro… amore, comprensione, ascolto, rispetto. Se mancano queste caratteristiche fondamentali, è chiaro che nel corso del tempo, nasceranno all’interno della coppia delle difficoltà e fratture.

 


Peter che pur avendone bisogno rifiuta l’aiuto di Mary Jane, è l’individuo che crede di poter badare a se stesso e che altresì non riconosce le proprie ferite inconsce. Quando un bambino dai propri familiari non è mai stato ascoltato, capito o compreso nelle sue necessità emotive, crescendo avrà sviluppato una sorta di barriera mentale contro coloro che cercano di aiutarlo a risolvere le proprie ferite interiori e problematiche psicologiche. Questo perché la persona ha imparato sin dalla tenera età, a non fidarsi e a non confidare del prossimo; ma esclusivamente a sostenersi sulle proprie forze.

In sostanza, si pensa di non essere abbastanza degni di ricevere aiuto e sostegno dagli altri, oppure si percepisce una strana sensazione di fragilità che procura disagio, e fa avvertire la persona ancora gracile e debilitata come ai tempi dell’infanzia. Sentimenti che sono vissuti come negativi, perché in passato sono stati disprezzati dalle figure genitoriali. Ad esempio, alcuni educatori quando scorgono il figlio maschio piangere, solitamente gli suggeriscono di comportarsi da “essere ragionevole”, e che gli uomini non piangano e via discorrendo. Crescendo il giovane percepirà e avvertirà i propri sentimenti interiori, come un’espressione di debolezza e impotenza personale, che rischiano di condurlo a rinchiudersi in un mutismo mentale.

 

Peter che colmo di rabbia è avvolto dal simbionte alieno, è un’allegoria della persona che non avendo risolto le proprie problematiche psicologiche ed esistenziali, si lascia condurre dalla rabbia repressa divenendo una persona aggressiva e asociale (Venom). In definitiva, il risentimento provato per quanti hanno fatto soffrire l’individuo nell’infanzia, è proiettato su altre persone.

 

Harry che parla con il padre che intravede riflesso su uno specchio, è la persona che non si è riuscita a separare emotivamente dal proprio genitore dispotico introiettato (Goblin-Norman Osborn); il quale proprio come se fosse vivo e presente, gli dichiara di compiere e agire in maniera totalitaria ed egoistica. In questa situazione, ecco che l’individuo perde la capacità di agire e pensare con la propria testa, e segue inconsapevolmente le direttive egoistiche e autoritarie, suggerite dal genitore introiettato nell’infanzia (Harry che diventa Goblin, esattamente come ha fatto suo padre).

Un’altra delle tristi conseguenze derivanti dal tallonare ciecamente le direttive introiettate da un genitore tirannico e avvilente (Goblin-Norman Osborn), è che la persona (Harry) perde il proprio “Vero Sé”… la capacità di esistere, pensare e agire con la propria soggettività. La persona è come scissa e non coesa, e diviene uno zimbello delle idee e preconcetti memorizzati e introiettati nel passato, senza alcun discernimento critico soggettivo.

 


Il simbionte alieno Venom che amplifica l’aggressività del suo ospite, è una metafora che ci suggerisce come il “Falso Sé” sia un costrutto psichico nel quale non può mancare nel suo interno, un ragguardevole elemento di aggressività. Questo perché il “Falso Sé” si è formato seguendo una logica estranea alla propria reale identità, e quindi rimane, a livello inconscio, un risentimento verso chi non ha saputo o voluto accogliere la vera identità dell’individuo. È a questo punto che la rabbia verso quanti hanno forzato la persona a sviluppare un “Falso Sé”, è scagliata e proiettata verso altre figure di riferimento… le quali divengono dei sostituti dei reali persecutori nel passato (Harry che perseguita Spiderman, invece di prendersela con Goblin-Norman Osborn).

 

Peter che asserisce di non sapere chi è, effigia la persona che avendo creato un “Falso Sé” a sfavore del proprio “Vero Sé”, si sente scisso non coeso, e fa fatica a non ferire coloro che egli ama realmente (Mary Jane). Dobbiamo difatti considerare come in verità una persona che, per compiacere i propri genitori, è stata costretta nell’infanzia a creare una personalità fittizia… crescendo rischia di aumentare anche la propria insicurezza, le proprie paure, ansie e timori. E a tutto questo si aggiunge una dose massiccia di ostilità verso se stessi, per non essere all’altezza della situazione. Proprio così, l’aggressività non è solo rivolta verso i propri vessatori, ma anche verso se stessi per non essere riusciti a mutare la propria reale identità interiore, effigiata nel film da Mary Jane. In definitiva, Peter che colpisce Mary Jane sotto gli occhi perplessi di Gwen, è un Io che propone un modello differente da quello che vuole essere (Gwen) alla propria reale identità (Mary Jane); ma ovviamente a livello inconscio, la reale identità non può mutare, ed ecco che si sviluppa e matura una rabbia e aggressività rivolta verso se stessi.

 

Peter che si toglie il costume simbionte alieno, è la persona che finalmente comprende che la rabbia e odio verso il prossimo, a volte sono essenze che provengono da problematiche psicologiche non risolte, e proprio per questo riesce a liberarsene. Al contrario, Eddie Brock simboleggia l’individuo che non riesce a perdonare coloro che lo hanno fatto soffrire, e colmo di rabbia e risentimento proietta queste emozioni negative verso coloro che al presente lo hanno ferito (Peter).

Difatti non scordiamo che se non perdoniamo e non superiamo le ferite inconsce provocate dai nostri familiari, con il tempo trasferiremo e proietteremo questa rabbia e risentimento, verso altre persone. Ecco svelato il motivo del perché alcuni individui a un piccolo torto, reagiscono in maniera sproporzionata all’offesa fatta, proprio perché alla rabbia attuale si congiungono la collera e risentimento subìti del passato. Difatti nel nostro inconscio esiste una sorta di “magazzino” delle emozioni. E i ricordi penosi colmi di risentimento repressi, se non sono risolti o superati mediante il perdono, rimangono nel “magazzino” dell’inconscio, fino a quando un sentimento simile o affine li fa affiorare.

 


Zia May che suggerisce a Peter di perdonare se stesso, ci rammenta il modo migliore per riuscire a staccarsi dal proprio “Falso Sé”. Difatti la persona con un’identità fittizia, oltre a superare un esame interiore sulle proprie esperienze traumatiche, deve altresì perdonare se stesso per aver voluto a tutti i costi trasformare la propria reale identità (Mary Jane), sostituendola con una falsa e artificiosa (Gwen). In altre parole, la rabbia verso il proprio “Vero Sé” deve lasciare il posto a un amore incondizionato, rivolto alla propria reale individualità.

 

Harry che si unisce a Spiderman per sconfiggere Venom e l’Uomo Sabbia, è la persona che finalmente fa pace con le figure genitoriali introiettate, e comincia ad aggregarsi con il proprio Io nello sconfiggere il “Falso Sé” (Venom). In poche parole, per riuscire veramente a ritrovare la propria reale identità, occorre tornare ai ricordi della propria infanzia, e recuperare memoria dei traumi, frustrazioni ed esperienze colme di rabbia vissute nell’ambito familiare. Dopodiché, mediante l’aiuto di persone amorevoli ed empatiche (zia May) e con il sostegno delle proprie risorse interne, si riuscirà a sconfiggere e ad allontanare tutto ciò che si contrappone alla propria reale individualità. A questo punto si riuscirà a convivere serenamente con il proprio “Vero Sé”, simboleggiato nel lungometraggio da Mary Jane.

 

Peter che balla con Mary Jane, è un Io che ha ritrovato la gioia di convivere con la propria reale identità. La persona che sa coabitare con il versante più profondo di se stessa, capendo che non tutta la propria personalità è perfetta e coerente. Un Io pacificato dal proprio passato, colmo di patimenti e deprivazioni. Un Io ferito nel profondo, che tuttavia non si lascia trascinare nel baratro del nulla; un Io che sa cogliere e progredire le proprie ferite inconsce, facendole divenire delle risorse interne colme di forza e amore. Un Io che proprio grazie alle sofferenze patite, sa comprendere meglio il prossimo. Un Io che affronta le battaglie della propria quotidianità, sapendo che nel proprio intimo più profondo, esiste una moltitudine di preziosissime esperienze che lo possono aiutare a superare con miglior facilità, le difficoltà della vita di tutti i giorni. Tutto questo lo s’intravede da Spiderman, che continua la sua estenuante battaglia contro i suoi numerosi avversari (i quali raffigurano la rabbia, le ansie e problematiche psichiche).



#Spiderman #Venom #MarvelComics

#flaviasanti #psychology #spiritual

#psicologia #psicoanalisi #psicoterapia #psico

#Religion #Faith #Prayers #Jesus_Christ

#HolyMary #MariaSantissima

#christian #cristiani #scifi

#Gospel #Vangelo #Jesus

#Gesù #Cristiani #Christians

#Filmmaking #movie #fantasy

#hollywood #lungometraggio #cinema


 

Flavia Santi - Poem n. 19 - The Last Way

 


Flavia Santi - Poem n. 19 - The Last Way:

 

On the cross... I marked your name.

I carry it… driven by slander.

Heavier... than your graceful candor.

Child… claim to the world!

And warn the crickets, to sing the hymn... of the last way.


Flavia Santi - Poesia n. 19 - L’ultima Via:

 

Sulla croce… ho segnato il tuo nome.
La porto… sospinta dalle calunnie.
Più pesante… del leggiadro tuo candore.
Bimbo… reclama al mondo!
E avvisa i grilli, di intonare l’inno… dell’ultima via.


Flavia Santi - APHORISM n. 19

 


Flavia Santi - APHORISM n. 19 – The love in these times is like yogurt... always has a short-term.

 

Flavia Santi - APHORISM n. 19 – L’amore in questi tempi è come lo yogurt… ha sempre una scadenza.


Flavia Santi - Poem n. 154 - I Pushed…

  Flavia Santi - Poem n. 154 - I Pushed…:   POEMS - HOME   I pushed your love… to the edge of a dream. I pushed the night… under ...